Space-Age Kitchen Makes Soft Landing

The most dramatic make-over in Marcus' and Anna's home was accomplished with the most minor changes.  Paint and hardware brought an out-of-character galley kitchen into sync with the rest of the house.

When Anna and Marcus purchased their 1930's cottage, the kitchen didn't match the home's style.  The Corian, handle-less cabinets looked like they came from a Star Trek set.  What was probably state-of-the-art in the 70's was incongruous with the home's vintage charm.

The kitchen was a no-frills space--long on efficiency, but short on personality.  Even though the style could have been labeled "modern", it was dated.

Moreover, the budget did not permit a kitchen renovation. What could be done?

Anna, always great at picturing potential, was up to the challenge.  I must admit to being skeptical, but she insisted that paint and pulls would do the trick.  As it turned out, these cosmetic touches were the repairs needed to bring the ship safely home.

The first thing Marcus and Anna did was to remove the yellowed finish on the butcher block countertop with stripper and sandpaper.  Then, they stained the wood a warm walnut brown. Next, the room was painted (lower cabinets--Benjamin Moore "Museum Piece", upper cabinets a lighter shade of the same color, walls  Benjamin Moore "Strand of Pearls"). Finally, Martha Stewart, brushed-nickel bin pulls and grooved cabinet handles from Home Depot were added.

Inset windows were dressed in a whimsical linen polka dot fabric.

Last, antique cast iron scales and still-life oil painting completed the vignette.

Isn't this face lift amazing?  The before and after shots tell the story: Lunar Module Lands Successfully.

Before

after

Casual or Formal Dining

Which dining atmosphere do you prefer, casual or elegant?  More and more our culture is leaning toward laid-back, not stuffy.  But, stop and think about it.  Which tastes better, a steak at Texas Roadhouse or one served on linen at The Capital Grille?  At home, because we don't toss peanut shells on the floor nor do we serve many meals on a starched tablecloth, it is preferable to hit a balance between formal and informal.  

Marcus and Anna accomplished this by mixing contemporary with traditional furnishings, casual with dressy finishes.  

                             

Starting with the floor, they chose a jute honeycomb patterned rug from West Elm (http://www.westelm.com/products/jute-dot-rug-t008/?pkey=crugs-flooring).  Juxtaposed to this casual floor covering, Anna hung white floor to ceiling drapes from Pottery Barn.  The formality of full length window coverings was taken down a notch by choosing linen rather than silk and grommets rather than traditional pleating. (Curtain rods are from Restoration Hardware.)

In the center of the dining room is a formal, oval table but six mismatched chairs.  The host and hostess chairs are high-gloss white, contemporary chairs from Brocade Home (https://www.brocadehome.com), and side chairs are canned, hand-painted antiques purchased at Stoudt's Black Angus Antique Mall in Adamstown, Pennsylvania.  

The mix of antique and contemporary continues with the dining table which was left in the room by the previous owners. Yellowed with age, the table was tired looking and might have been carried to the street, if there had been a replacement. However, because it was the only option, we went to work.  Lacquer stripper, lots of elbow grease, and a white glaze transformed the duckling into a swan. Imagine our surprise when we discovered the Kindel label on the under side of the table skirting and brass rings on the table legs! Now the traditional table with updated finish sits comfortably center stage.  Finally, placemats set a casual tone next to a William Yeoward crystal globe which adds some glam.  

  

Prior to its facelift, the dining room seemed teeny. A door closed the small room from the entry, and the previous owners had a large hutch on the wall (visible from the kitchen).  As a consequence, the room appeared to be minuscule.

The door from the entry was removed, and Marcus' and Anna's open sideboard visually added two feet to the room.

Atop the antique chinese sideboard sits an old gilded mirror between a pair of contemporary Simon Pearce square vases.  The distinct lines of the cane sticks also add a fresh twist.  

The mix of old and new is repeated again in the weathered brass chandelier which puts a contemporary spin on a traditional shape (Circa lighting).

The final coup is tucked into the corner of the room where a very deep cupboard takes advantage of space beneath the stairs.  Previously, this cupboard had wooden country pulls on the drawers, was too deep to be left open, but lacked doors.  Upon inspection, we noticed evidence of doors formerly covering the shelves.  What a pleasant surprise to find the old doors hidden beneath a stack of window screens in the basement furnace room!  Given a coat of paint and contemporary crystal pulls, this quirky old cabinet now fits perfectly in the room.

I don't know about you, but I think this room is ideal for breaking bread day-to-day or on a holiday. Dress it up; dress it down--it works for steaks anyway you prefer them. 

Come in; Make Yourself at Home

Welcome to Marcus and Anna's entryway.

The front door of their stone cottage

  opens into this foyer.

As you can see, the living room is on the left.  This largest room in the home measures approximately 12 by 20 feet. Bookcases bank the south wall, while a lovely fireplace holds court on the longest wall. During the daytime, windows on three sides flood the room with natural light. When Marcus and Anna originally toured the home during a realtors' open house, the staged living room looked like this:

After settlement, the young couple began imprinting their fingerprints on the room. First, they had crown molding added.  Many of the rooms already had this detail, but not the living room.  Next, the walls were painted Benjamin Moore Royal Flax (50 percent), a grayed beige that transitions from the gray entrance to the rose and camel silk stripe in the living room.                    .

Toward the front of the house, floor to ceiling panels warm up the north-facing wall.

Roman shades from the same fabric cover the back and side wall windows.  (Amazingly, all the fabric for these four windows used to cover the one window in their New York living room!)

At first glance, the fireplace wall seems untouched, but notice the details. The brick fireplace surround was painted white to match the mantel. Williamsburg sconces were traded for a more contemporary pair from Circa lighting. A rustic, mountain lodge fireplace screen was replaced with a more refined screen from Horchow. (Go to: www.horchow.com.  Click on decorative accents, fireplaces, fire screens.) Finally, the broken terra-cotta hearth tiles were replaced with a single piece of soapstone.

The home's small rooms left the couple in a quandary.  Where could they watch television? The only room large enough for a group was the living room. However, Marcus and Anna, like most people, didn't want to have a black screen as the focal point of their genteel entertaining space.  To remedy this problem, they had a box built to cover the television (http://www.averyart.com/#!media-sreens).

Now, happily, six or seven people can view the television or simply converse in a comfortable room. A secondary benefit of having entertainment in the living room is that the space will be used regularly, not just for formal occasions.

When you are in the middle of settling into a house, it seems to be all consuming.  After a bit, you can begin to feel like you have fixated too long on "stuff."  Truth be told, you do have to remember why you are nesting--to make your house a home where you can nurture others.

From Blah to Ta-dah

I have been negligent of my blog in the past few weeks, because I was helping a daughter and her husband move.  It takes time to make a home your own--time to paint, time to replace fixtures, and time to "guild the lily".  However, I can't think of a more pleasant pastime than taking empty rooms and filling them to reflect the home owners' personalities.  Layered details

take a vacated house from blah to ta-dah.

Knowing changes will never get made if you don't refurbish when you first move, Anna and Marcus aggressively tackled their to-do list.  Every room was repainted.  Off-white walls now feature Benjamin Moore full-spectrum paint colors.  I can't say enough positive about this line of paint. Because the paint (even flat) is of such high quality, the walls are totally scrubbable. Best of all, the colors are amazingly reflective of light.  Anna's and Marcus' favorite color is "Museum Piece" halved with white.  The resulting color is a soft, light, perfect gray.

Light fixtures in the house were a bit too country for Anna's taste. Replacing them with fixtures from Circa lighting was like adding designer jewelry to a plain dress.

The biggest transformation was given to the main bathroom.  It went from pink to soft white and gray.  The hexagons on the floor are Calcutta Gold marble and the walls are matte white subway tile. Fixtures were updated in two bathrooms, as well.

After the shell of each room was personalized, Anna and Marcus brought in all their earthly possessions. Their belongings from a temporary apartment and a storage bin were reassembled.  Then we began to put the jigsaw puzzle together.  This was no small feat because the proportions of this home are entirely different than their previous homes.  Where their New York condo had twelve foot ceilings, these are eight foot.  Where their last abode had one main living space, this home has a separate kitchen, dining room, living room, study, and sunroom.  Many pieces of furniture were moved, rearranged, and repositioned several times before they found a resting place.  (Aren't you glad your husband wasn't the one hefting?)

Finally, some drapes were shortened, others remade, others newly fabricated before they were hung.

Lastly, pictures found their homes on walls and tablescapes were arranged.

I think the final product is charming.  In the next few posts, I will take you on a room by room tour.

Only in Lancaster

In the last half a dozen years, we have gone to the Lancaster's Symphony New Year's Eve concert.  The conductor always prefaces and concludes the evening with the phrase, "only in Lancaster."  Today on this Fourth of July weekend, I enjoyed another "only in Lancaster" privilege.  I picked a table arrangement of zinnias, daisies, and plumes for only $3.00 from an Amish garden.

The Amish farm is over the covered bridge, around the corner, and up hill from our house.  A mule drawn wagon passes us as we climb the last elevation before reaching the picture-perfect cutting garden.

A table sits in front of the flowerbed bearing a sign, "Cut Your Own Flowers".

Upon closer inspection, on the folding table, you find another handwritten sign:  "Sunflowers .25 each, all other flowers $1.00 a dozen".  The plastic container, weighed down with rocks, awaits deposits.  Even a pair of scissors is laid out for the using.  What trust; it is all on the honor system.

I always appreciate the simple beauty of the garden.  The grass is neatly edged.

 Flowers are planted in careful rows by type.

The landscape designer planted with an eye to the eventual height of the blooms.  The tallest sunny faces are in the back row, while the short colorful blossoms are in front.

  

On the way home, we cross a second covered bridge.

 Then we pass a tiny potting cottage...

which sits beside a sweet guest house.

What beauty we enjoy...only in Lancaster.

This Fourth of July, I hope you each celebrate the unique brand of freedom we enjoy only in the United States of America.